Some thoughts on Alice in Wonderland for the class Monday 16th August.

Key to my reading – and it is only my reading – of Alice is the theme that runs through a lot of my thinking: exploring the models of childhood in literature.
Looking at Chris Jenks’ dichotomy:
“The Apollonian child, the heir to sunshine and light, the espouser of poetry and beauty…angelic, innocent and untainted…”(Jenks 1996:73)
“The child is Dionysian in as much as it loves pleasure, it celebrates self-gratification….” (Jenks 1996:63)
Jenks C (1996) Childhood: Abingdon: Routledge
is Alice the barely reined-in Dionysian child, who, let loose in her dreams, finds her way home (to “dull reality”) by negotiating both models – in finding how to respond to the demands around her and stay sane – in other words, to grow up? Are we looking at some kind of spiritual quest for self-realisation? We might object that Carroll did not intend this – but again perhaps looking at what an author intended in a story made up just to while away an afternoon’s rowing is too fraught with difficulties. In any case, when Carroll is being didactic towards children – as in his Easter Letter – we know about it.
Of course the all-important commentary is the wonderful
Gardner M (ed) (2000) The annotated Alice: the definitive edition. London: Penguin
There are loads of other books, looking at Alice and Carroll biographically, from the point of view of psychoanalysts, logicians, mathematicians… An interesting way of looking at Alice might be to consider her not in the context of Victorian literature (and Alice abounds with cross-references here) but to the folk-tale inheritance and to her influence in later children’s literature: there is something of Red Riding Hood in Alice, but her literary ‘daughters’ (in Oxford terms at least) include Lucy from the Narnian chronicles and (perhaps by extension) Lyra from Pullman’s His Dark Materials. Is she also re-presented in the precocious Cordelia in Brideshead – or is the ‘secret door’ from Alice completely different for Sebastian and Charles?
For scholarship’s sake, I suppose I ought also to attempt a filmography, since my presentation makes mention of the Disney and Burton versions, but I haven’t time, since there are lots of others, too – a silent one from 1903 which I linked to here from YouTube being the earliest I can find.
And here, for what it’s worth, is the powerpoint:
Please note that since writing the Disney and Burton clips have been removed from YouTube for copyright reasons.
